STATEMENT
I describe my work as being post-media and concerned with the ways “containers” impart a shaping force on our notions of home and identity. Generally, this foregrounds what would otherwise be supplemental or armature. While not limited to, it often employs the industrial history and materials of ceramics, photography, or coding languages to position the objects someplace between archival/functional and aesthetic, disrupting a sense of linear time.
I describe my work as being post-media and concerned with the ways “containers” impart a shaping force on our notions of home and identity. Generally, this foregrounds what would otherwise be supplemental or armature. While not limited to, it often employs the industrial history and materials of ceramics, photography, or coding languages to position the objects someplace between archival/functional and aesthetic, disrupting a sense of linear time.
